Free Range Writer

That’s in my notes from my Advanced Novel Class this afternoon in Iowa City.

That, and that creative writing cannot really be taught. What can be taught is how to read your own work more critically.

And, that a good novel is like a continuing vivid dream.

I do love coming to Iowa City.

Poems displayed on a kiosk in downtown Iowa

Poems displayed on a kiosk in downtown Iowa

Shortly after I arrived, I felt like I was in over my head, only I didn’t feel bad. Maybe it was a feeling of being immersed like how it felt to be baptized.

Vonnegut quote: part of the literary walk

Vonnegut quote: part of the literary walk

My grandmother came running to me (funny, I never realized that she came running to me after I was baptized, but she did) to say that when she was young that they got baptized in the river in the spring when it was cold and no one ever caught pneumonia.

I was baptized in a steel tank filled with warm water. Above the tank was a painting of a meadow. The congregation sat in the pews vieiwing the baptism through a glassless window. The curtains were opened, I walked down into the baptismal where the minister waited in wading boots (I wore a white robe), I clasped my hands as if in prayer, and the minister held my back and covered my nose and tango dipped me into the water.

The fountain at the Ped Mall

The fountain at the Ped Mall

I came up dripping wet.

That was a big deal. Baptists got dunked. Catholics got sprinkled.

I was eleven.

The water was nice and warm. I knew that I had gone through some kind of rite of passage – though probably not the one my grandmother had.

Baptism by writing. That’s what this is. Immersing myself.

I’m not sure where the free range novelist reference came from. Josh Emmons, the teacher said the words ranging freely and free ranging novelist came to mind. No artificial hormones, No antibiotics. Just the authentic pursuit of getting the story and the words just right and then putting them in the order just right.

I do like being in Iowa City.DSCN0039

Going to See da’ Rabbits

Six-thirty A.M. at the San Francisco airport

. . . where an older woman ahead of me in the security line says to her husband, “I don’t want that x-rayed. I don’t want to change its molecular structure.”

So, as I contemplated how many times my molecular structure has been altered over the years (I even remember when they had x-ray machines in shoe stores), I snaked through the line to be cleared for takeoff.

Two hours later

. . . here I am in Phoenix, waiting to board a plane that will take me to Dallas so I can get on a plane that will fly me to Cedar Rapids, Iowa.

First time I visited Phoenix, I expected desert. Or to be precise, I expected desert as I knew it from Saudi Arabia. First time we flew into Arabia (on a prop plane – commercial jets weren’t around yet), I looked down and asked my Dad why we were flying over the ocean. “Those are sand dunes, honey,” he said, then told me about having spent some time in this area known as the Empty Quarter – the Rub ’al Khali.

That was Lawrence-of-Arabia-don’t-get-left-behind desert. Nothing but sand and a sun that baked it.

That’s what I thought Arizona would be like. Then I saw the soares cacti along the road to my friend’s house.

Oh, my.

The redwood forest of Arizona — a tribe of wise beings, grounded in place. Some had two arms, some three or four, and others none at all. If only I had the language to understand their stories.

Alas, the bus that transported me from one terminal to another moved too quickly. I didn’t have time to photograph any of the cacti along the road.

Because I had flown into Phoenix on United, but will take an American Airlines flight to Dallas, I had to check in all over again: figure out how the American Airlines self-check machine worked. Then go through security all over again.

Take my laptop out, put it in a bin. Take my shoes off, put it in a bin – wait, no the guard wanted me to run those through out of a bin. Take out my liquids and gels, put them in a white bowl. I knew to take off my watch – put it in a bin with my purse, which I had to lay on its side and then put my jacket in a separate bin.

My earrings set off the alarm when I walked through the metal detector (they hadn’t in San Francisco). On one earring is Kokopelli, on the other earring the vortex. Hmmmm.

Took those off, put them in a white bowl.

It’s all so very complicated. Lurking in the back of my mind is that someone will find that tag I tore off the mattress when I was eight and the gig will be up. I’ll be handcuffed and taken away in front of lines of people who will be annoyed with me for holding up the process.

But, once again, my long-ago crime goes undetected.

As for the status of the molecular structure of my belongings . . .

Two and a half hours later

. . . at the Dallas Fort Worth Airport

On the flight from Phoenix, my seatmate was a lovely Pakistani American man who had just recently turned 27. Right out of college he’d been hired and then, within two years been promoted to management at the Phoenix newspaper (can’t remember the name of the paper). The paper is doing well because there are so many babyboomers in Phoenix. And babyboomers appreciate journalism.

A success story in the middle of the recession and a paper that is thriving. And my generation is keeping journalism alive. High five.

My Pakistani-American companion was flying to his hometown in Indiana, where there is a decent sized Pakistani-American community. Who knew.

His big mission going home is to tell his family that he doesn’t want to agree to an arranged marriage. Yikes!

I told him not to marry anyone just to please someone else. We agreed that he could tell his parents that a woman who had been to Pakistan told him it wasn’t a good idea.

Apparently, anything that has Pakistan in it holds some sway with his folks.

It’s such an American story. Child of immigrants lives in two worlds: the displaced past of his parents who came here to give him opportunities that take him away from their past. Tough position.

Got interrupted for a conversation with a man who came to Texas via Louisiana. His accent has traces of a languid afternoon on the porch. He’s heading to Cleveland to pick up his nephew who will spend the summer with him and his wife. Nieces and nephews – their version of grandchildren.

Texas is never what you think it’s going to be. Doesn’t seem to have affected my molecular structure at all.

Starting to board the plane. More when I get to Iowa City.

Next morning in Iowa City.

. . . apparently my molecular structure was pretty fragmented by the time I got here last night.

On the plane to Cedar Rapids, I sat next to a man wearing his Air Force blues. It was only the fourth time he had ever flown, was totally enamored by the drops of rain that ran sideways across the window. Showed me the Air Force coin he was going to give to his high school friend to encourage him to lose weight so he could join the Air Force.

He was so guileless that I kept thinking that if this were a 1950s movie about World War II he would definitely be the one who wouldn’t come home. Innocence never survives a war.

He talked about his family and how he was going home for the first time since basic and how he would go to the River Festival where he might see friends from high school and why he had joined the Air Force — his parents didn’t want him joining the Army or Marine Corps because that meant he would be more likely to be in harms’ way.

He also talked about his high security-level clearance (hmmmm…would they give one to an innocent who talked in such a steady, random stream?) and how proud his parents were of him and how he had been asked to sit with the veterans at a VFW dinner even though he was just heading for basic and how he knew he was going to cry when he saw his parents so he would wear his sunglasses to hide the tears.

Because he was traveling in uniform, the steward said his drinks and snacks were complementary. He had just turned twenty-one and had never touched a drop of liquor, but thought it would be cool if he got one of those little bottles for his mother. So, I helped him select a bottle of red wine. He opened it, took less than a sip and said he didn’t think he ever needed to drink another drop of liquor.

“They say home is where your heart is,” he said as we descended through the rain clouds. “Well, my heart is definitely here. Iowa will always be home to me.”

I expected his parents would look like they were out of a 1950s movie. But they looked more as if they were roadies from the late 60s.

Go figure.

I thought about the first time I came to Iowa for the Writing Festival in 2005. As we started our descent, the flight attendant announced, “We have started our descent into Cedar Rapids.”

A little girl at the front of the plane shouted, “We’re going to see da’ rabbits!”

And here’s the thing. Throughout the next week, tiny-eared rabbits hopped across my path — ten or more a day.

Nourishing with Powerful Jaws

I’ve mentioned before that I like using my Animal-Wise Tarot deck to help me see what I can’t see but somehow know – at least I think I’ve put it that way before.

If not, there, now I’ve said it. It’s seeing in the way that poetry, a novel, a painting can help us see (and articulate) what we already know.

So today, one of the cards I drew was Crocodile – Queen of Ancients. The Ancients suit in this deck is what Wands are in more traditional decks.

So, the meaning of this card is primal strength and creation– mothering forces.

Wow!

Mothering is primal strength and creation. Not your usual Hallmark moment when you think about mothering.

Crocodiles are apparently the ubermother of the reptile world. After their eggs hatch (takes about four months), they carry their young to the water in their mouths, protecting them from predators. Imagine being carried in the mouth of a crocodile.

In myth and symbology, crocodiles are associated with the Great Mother – and are associated with both destruction and birth devourers.

Hmmm . . . I can see how my mother was both.

A couple of friends of mine and I were talking recently: one feared that she had been a bad mother because she had had a hard time bonding with her child who was colicky; the other has a daughter with autism whose family blames her bad mothering skills for her daughter’s quirky behavior.

Clearly they are both good mothers. They love their children and see them for the individuals that their children are.

They are also both excellent writers.

My mothering has been in the form of being a step mom. I definitely feel I provided value added services to my step-children’s lives. But, I’ve often pondered why I didn’t have children of my “own.”

I think it has something to do with what I was taught mothering was — nurturing and self-sacrifice. Though I always wanted children, I think I feared being devoured by the role of mothering.

I have come to appreciate the difference between nurturing and nourishing. Nurturing, I think, can actually be an impediment to growth; I think it might be an attempt to save souls from pain and suffering. Nourishing, on the other hand, provides the nutrition we need to withstand the pain and suffering that is a natural part of being alive.

In Women Who Run with the Wolves, Clarissa Pinkola Estes describes Goddess-mothers: older women of the tribe who nourished young mothers, which taught them in turn how to nourish their children. If you get nourished, you learn what nourishment is and then, know how to nourish.

According to Pinkola Estes, this role got taken over by religion and devolved (my word) into the role of godmother – whose role was to make sure the child did not stray from a religion’s teachings.

Much different.

I don’t know exactly where I’m going with this (fortunately, as Tom says, blogging is improvising for writers), but it was a revelation today to see crocodiles as good mothers – carrying their babies down to the water in their powerful jaws.

I wish I had known earlier that I could have powerful jaws and still be a good mother.

I wonder if Dr. George Tiller would still be alive if his killer and those who egged him on understood that primal strength and creativity, not incubation, are the mothering forces.

Apocalypse Whenever: the View From my Writing Shed

This morning I read Mick LaSalle’s article on movies that said that an apocalyptic event is the new happy ending in movies.

Looking out onto the world . . .

Looking out onto the world . . .

Hmmmm . . .

I just saw the movie Up two days ago. I laughed. I cried. I loved that it was in 3D. How cool.

And, I thought, Pixar gets it right. They understand story. And I’m so glad that they are telling these stories to children. These aren’t the cotton-candied stories that I got from Disney when I was growing up. These are stories that respect children.

The happy ending in this story is that love abides if we let go.

Such a hard lesson.

I wonder if the apocalyptic endings Mick LaSalle refers to in his movies are lessons in what happens when we don’t let go. Or, maybe, what it feels like to let go of what we think our place in the universe is.

I never thought I’d move back to Livermore. There’s the thing about moving back to your hometown, the one you couldn’t wait to escape when you were a teenager, when you thought it was the place that held you back.

Leaving a place teaches you that you carry your saboteurs with you; those lurking voices that try to convince you that you really might not be worthy of being loved.

At some point, I understood that I was comfortable with those voices. They were familiar. Letting go of them was not easy. What does it mean if I find out that I am worthy of love? What then? What do I do when I no longer have the disapproving finger pointed at me intoning, “Just who do you think you are?”

Well, I learned that who I think I am – I am. Being a writer was a big part of that. Because being a writer means that I had to learn to say what I mean. Which means I have to know what I mean.

That takes some work. A lot of rewriting to get to the nub of it.

I think moving back to my hometown, ironically, helped me get to the nub of it.

And here’s the other thing about Livermore and why I never wanted to move back here: the Labs.

Growing up here, chances are you lived next door to, shopped with, had your hair cut next to someone who worked at one of the labs or was the wife or child of someone who worked at one of the labs. My parents worked at each: my dad was an electrician – my mother an administrative assistant.

You just took it for granted that the secrets that were held there were secrets we all had to protect. Wives didn’t know what their husbands did. This was the Sixties, so there were only a few wives that worked there who held secrets from their husbands.

The secrets were about developing apocalyptic weapons.

You just took it for granted that these weapons were necessary for our survival – necessary to combat evil – an evil that existed only in “the other”—an evil we did not ourselves possess.

Our fear of the other was justified, and we possessed the knowledge of apocalyptic weapons that would protect that fear. That made us powerful.

I think that 911 taught us that we live in a rock, scissors, paper world.

But back to Livermore. I think that the institutions of Livermore, the political structure, the entrenched art community, are stuck in a world that believes that power is a force to be used for wielding over others, as opposed to a life force that defies control because it is experienced differently by every being.

My hope is that the Labs will be turned over to green technology – a technology that seems more about adaptation than dominion.

An apocalyptic event is one that ends the world as we know it. Perhaps if we can use that as a personal metaphor for letting go of what we held as sacred truth if the world can no longer support it, we will be able to see the beginning of the new world that emerges from its ashes.

It could be our happy ending. Maybe we won’t have to experience an apocalyptic event that makes our home, our planet, end as we know it.

On the Avenue of Eternal Peace

Thunderstorms.
 
Such a rare occurrence in this part of California.
 
My poor dog Tessa would rather they be nonexistent.
 
While visiting my niece in Texas once, lightning hit the restaurant as we munched our burritos. It is a strange experience. My hair did not stand up. But I definitely know that something had just happened.
 
Rain clears the air. But I think there’s something about thunder and lightning that clears it more. A defining before and after. The last time I came back from Iowa, I flew over thunderclouds – bolts of lightning contained within the clouds. I felt like I was witnessing the birth of a new world.
 
Perhaps thunder and lightning help me see myself in perspective. A part of a greater whole.
 
Nicholas Kristoff wrote this morning about the 1989 uprising on Tiananmen Square that turned the Avenue of Eternal Peace into a river of blood. Soldiers fired indiscriminately into the crowd of students. Whoever happened to be in the path of a bullet was killed or wounded.

An unknown man halting the PLA's advancing tanks near Tiananmen Square. Photo by Jeff Widener.

An unknown man halting the PLA's advancing tanks near Tiananmen Square. Photo by Jeff Widener.


 
The soldiers then shot at the ambulances that went in to tend to the wounded, so others kept their distance. The crowd got the message. You are all expendable in this war for absolute control. People, paralyzed with fear, watched helplessly as the wounded writhed in pain.
 
Except for the rickshaw drivers – the men who pedaled their bicycle-drawn rickshaws to deliver people and cargo around town. They pedaled in, loaded the wounded on their rickshaws and carted them to hospitals. Kristoff said that as one drove by, he saw the tears running down his face, his expression seeming to plead that Kristoff photograph it so the world could bear witness to what had happened.
 
I remember riding in a rickshaw when my family traveled through the Far East in the late fifties – faceless,nameless beasts of burden carting us through the streets.
 
It was those beasts who were the heroes of Tienamenn Square. The ones who stood up to meanness. Who, for whatever reason, put fear aside and responded to the sound of suffering.
 
I suspect that it wasn’t a political act for the drivers. I suspect it was a simple decision to defy the threat that someone holds the power of life and death over you. What was it about their act that made the faceless, nameless soldiers decide, each one, not to shoot the rickshaw drivers?
 
I don’t really understand why someone would want to have the power of life and death over another. They only have it if, at that particular moment, the person’s fear of not surviving has more power over him or her than does the love of life.
 
Everyone has those moments. To reduce someone to that moment is to humiliate.

Kristoff says today that the government of China is no less oppressive, but it has made the lives of citizen better by creating a powerful economy – at the expense of the environment – thus creating a comfort level that takes one out of the day-to-day struggle for survival.
 
Complacency has been the price for this rise in comfort level.
 
Complacency is a dangerous place to be. Change is the enemy when we are complacent. And life is nothing if not full of change. So the enemy becomes life itself in our desire to maintain comfort. Comfort level becomes the gauge for survival.
 
I’m not advocating for the nobleness of poverty here. I don’t think there is anything noble about people going hungry, which is one form of poverty.
 
I guess I am beginning to believe that poverty comes in many forms. Perhaps it’s an impoverishment of spirit that leads one to want to have the power of life and death over another. The desire to manage and manipulate life. An illusion as well as a delusion.
 
I’m not sure where I’m going with this. Or what it has to do with thunder and lightning. I think Tessa fears it because she can’t find its source, doesn’t know what it asks of her. Whatever, she certainly knows that it is a force much bigger than herself.
 
To those who twenty years ago who stood up to the tanks, and to the rickshaw drivers who pedaled in to save the wounded, today I bow in honor and gratitude. They understood that the tanks and guns of the government were not a force bigger than themselves. They honored life in their willingness to risk their own.
 
They were not impoverished.
 
To paraphrase Walt Whitman, they dismissed that which insulted their souls.
 
I like thunderstorms. They put me in my place. It is not a place of complacency.