Once Upon a Blue Moon

“Once in a blue moon” either means two full moons in the same month or thirteen full moons in the same year.

At one point in history, the moon did appear to be blue, but that was a result of the ash and gases released when Krakatau erupted. Didn’t have anything to do with the moon being made of blue cheese and ever since I saw a rabbit in the moon, I haven’t been able to see the man in the moon.

I don’t know what any of this has to do with my silence, but I haven’t written a blog for close to a month – since my friend George died. After writing about that, I didn’t know what to say. And then I learned that my friend’s eight-year old granddaughter died – killed in a crosswalk in Prague by a truck driver who was distracted by the weight of his own life.

I really didn’t know what to say after that.

The past decade has been top heavy with loss. I’m sure enduring it has made me stronger. But it’s also made me more fragile – leaving me with the skin of a snake that has just slithered out of its old skin.

I’ve been looking at that old skin, wondering what to do now that I’ve shed it. I’m a little scared to see that it is no longer a part of me. I’ve even tried putting it back on, but that’s like pushing string. It just doesn’t work.

So I have to deal with where I am right now. It’s a little bit scary.

My biggest epiphany as I wrote my way into the New Year in my morning pages was that my rage seems to have burned itself out. I just kind of noticed it was gone – the way the lighthouse keeper wakes up at two in the morning and asks “What’s that?” when the fog horn that goes off every hour on the hour doesn’t go off.

I think that for years my rage was my lighthouse, the homing beacon that showed me the way back to myself when the Greek chorus chanted, “You’re too big for your britches, you’re too big for you’re britches, who do you think you are?” over and over ad infinitum.

I’m embarrassed to say that I’ve sought out that chorus recently, hoping to find some comfort in the familiar. Like a horse running into the burning barn.

But there is no comfort in what was familiar.

Life is more fragile than I ever imagined. I see the photographs and videos of my friend’s eight-year-old granddaughter and wonder how can this be? How can a life force so strong be snuffed out with so little regard for rhyme and reason?

For some reason, it makes seeking the familiar to keep fear at bay a fool’s errand for me. My choice is to accept change as the only thing that is certain.

So here I am with a new chorus waiting for me to cue them up with a new refrain. And I wonder, what will I write?

Once in a blue moon, something rare happens. Life is fragile. I think it’s important to seize those moments.

A Solstice Greeting

Please feel free to share this greeting.

Beauty, Peace and the Grandeur of Death

’There were no human voices, no everyday sounds,’ she wrote.
‘There was only beauty, peace, and the grandeur of death.’”
From “Errand,” by Raymond Carver

My friend George died at 5:20 in the evening on Thursday December 3, 2009. He was sixty-three.

I met George when we were among the first group of volunteers for a hospice program at San Francisco General Hospital. It was early 1980.

We worked with people for whom economic circumstance made daily reality an uphill struggle. Our job was to help people through the system so their dying had some dignity. My first patient was a woman who was diagnosed with oat cell cancer just as she emerged from rehab.

At monthly support meetings we talked about our patients, exchanged ideas for how best to support them, and drew strength from each other. Death, we learned, was intimate, and we were privileged to be a part of that intimacy.

It was in this context that I became friends with George. A friendship forged in the intimacy of pausing to recognize that death has come and gone and a life has ended—what Raymond Carver refers to in his short story “Errand,” a story about Chekov’s death, as the “grandeur of death.”

Shortly after we began volunteering, what started as random articles on page fifteen of the San Francisco Chronicle about a strange trend in cancers found in young gay men, morphed into more alarming articles about a “gay cancer,” and then became the tsunami that was AIDS.

San Francisco and the General were ground zero for confronting the tsunami head on. While gay men died in shameful isolation in hospitals around the world, the General created an AIDS Ward that was revolutionary in the way it treated people who had terminal illnesses.

The room usually reserved for doctors and nurses became a place where patients and medical staff met over coffee. The emotional chasm between patient and physician or nursing staff did not exist on this ward. Since AIDS at that time was such a devastating disease, cut a swath through an otherwise young and healthy population, success was not measured in cure, but rather in how to maintain quality of life even as it was ebbing.

Staff did not draw away or reject patients as death drew near. They stayed close, opened their hearts. The system was set up to welcome compassion—including compassion for those who provided care.

The hospice program continued to serve all of the population at General as it integrated the AIDS patients, usually young, otherwise healthy men.

George was gay. As long as I knew him, he never tried to hide it. But I think that for him as well as a lot of gay men, being gay had to take on a new meaning of identity—the response to the disease was delayed because it was largely affecting gay men, who deserved to die because they committed acts that were an abomination against God.

I think it was that commitment to his sexuality as well as what he learned in those early years at General, that drew him to Maitri, first as a volunteer and then as a board member. He became the voice of conscience about who they needed to remember to serve: those who would otherwise not be served.

Perhaps because he was gay, George saw and embraced the beauty in women in a most unique way. My personal experience is this:

In the early nineties, while riding the California Street cable car he saw a woman and thought, I really like her energy. “As the car passed by her,” he said, “I realized it was you, Karen.”

For the first time in my life, I felt—desirable—not because he desired me, I knew he was gay, but because he recognized something in me that I thought was forbidden to be: a woman in charge of her own destiny.

I suspect that the reason gay men and strong independent women connect so well is that we have both had to overcome notions that our very beings were somehow a threat that might unravel social conventions and bring a society to its destruction.

Those notions are probably true. Our very beings do unravel those social conventions that bond people together through hatred for and fear of the other. By thriving, we are living proof that being authentic is more life affirming than is surrendering to hatred of yourself.

George and I kind of lost contact over the past few years. My move to Livermore put more of a physical distance between us and that seemed to also put a distance in our relationship.

In retrospect, I think my part in the distancing had to do with facing childhood demons—demons I thought I had dealt with during the thirty-four years I had been gone. These demons were not easily dissuaded. For those who followed my blog over the recent months, these were demons who were not happy about being written out of my story. Facing them was like running a gauntlet with them throwing old messages of fear and loathing at me.

My rage was fully engaged.

I have no idea how this affected my relationships. But I know that in August, 2008, when I met George for coffee shortly before he was due to check into the hospital for his hip replacement operation, I was depressed. Felt like a loser.

It was during his hospitalization for his hip replacement that George learned he had a sarcoma in his pelvis. Sarcoma, a soft tissue cancer is very nasty.

When he called to tell me his diagnosis, I asked, “How are you?”

I don’t remember his answer exactly, but it was clearly polite, designed to protect me.

“No,” I said, “How are you?”

He exploded in anger. “Oh, I can’t go there.”

He apologized for his outburst, but that kind of set the stage for our relationship over the following year. I spoke with him one other time, and he was angry with me then, too. I suspect that the awkwardness between us was born in the context of our initial friendship—a time of facing death head on.

I don’t think George was ready for that. And I could never find a way to meet him authentically while I was acutely feeling the prospect of losing him.

Finally, late this last summer, the chasm began to be bridged. But I was still on the periphery of his life. That felt peculiar to me, because of the intimacy we had had over the years.

It pained me. I feared that I had misread our relationship over the years—a fear that spilled over from the final year of my mother’s life.

George weighed heavily on my mind and heart. Then I remembered the story he had told me about being on the cable car, and wrote a draft of a poem that came out of that memory.

When I spoke to him the Friday before Thanksgiving, he seemed like the George I had known over the years. Whatever shield he had put up to cope with his illness and impending death had come down, as had my fear of misinterpreting our relationship.

We found a project to work on together—preparing for publication the blog he had posted that tracked his journey from diagnosis to search for wellness to acceptance that he would not recover from the illness to his preparation for death.

I prepared a design for the publication and sent it to him. The next time we talked, it was clear that he was starting to drift. “I know I haven’t been there for you, Karen,” he said.

I assured him that he had always been there for me.

It occurred to me that in this brief exchange, we had acknowledged the distance that had occurred between us and that it didn’t matter. What mattered was the connection, and that distance had not broken it, only covered it in the fog of everyday living.

I don’t regret the distance—our lives just took us in directions that created the fog. We each had to pay attention to what our lives demanded.

Maitri was home to George in his final days. His request was that following his death, he lie in repose there for three days. His request was based, as far as I know, on several traditions that believe that the soul stays connected to the body for three days after death.

I received the call about George’s passing on Thursday evening as we were having dinner with our friend, Rob. He had come over for dinner and to play music with Tom. The two (Tom on piano, Rob on saxaphone) played for me, their music carrying me through the first shock of grief and loss.

I woke on Friday and knew that it was important for me to sit with George.

The staff had prepared his body, washing it with water scented with cinnamon and vanilla. He looked very natural lying in the bed, a soft green comforter covering him. His mouth, as rigor set in, had formed the beginning of a smile. He looked as if he was at peace with himself.

Others had come to sit with him as well. As we spoke, I kept expecting him to open his eyes and join us, felt that in many ways he was there with us.

I will miss George. I want more. I want more of those times that George and I talked on the phone, met over dinner, went to the symphony together. We came away each time energized, with new insights about the course of our lives.

I want more.

One of the gifts George gave me was to help me send my demons scurrying. His dying forced me to see that life has an expiration date—and that it was time for me to embrace my life, instead of keeping it at arms length through guilt and shame. Without guilt and shame to nourish them, demons quickly fade away.

It feels strange to have someone who shared a particular moment in a time of my life gone. George was a touchstone. I fully expected that we would grow old together, sitting on the park bench like bookends.

I carry those memories of times we shared alone now.

I believe that, as a culture, if we can figure out how to have compassionate birth and compassionate death, that everything else will fall into place.

George did his part through his actions in life and his dying to show us what compassionate death means.

And on Friday, as I sat with George, there was only beauty, peace, and the grandeur of death.

The Mystic Chords of Memory

I’m a miserable failure at nanowrimo. By today, I should have written 8000 words. But four days into nanowrimo I have no idea how many words I have written, but it doesn’t even come close to 8000.

happy frog

Frog reacting to the number of words I have written for nanowrimo

I settled yesterday for taking Ernest Hemingway’s advice: write until you’re ready to write tomorrow. That’s where I ended up yesterday; with a character showing up in a way I didn’t expect. And now I have to listen to him to find out why he did that.

That’s what will move the story forward for me.

I have tremendous respect for anyone who can do nanowrimo. I don’t have a clue how they can.

But here’s what committing to nanowrimo did for me: it got me to commit to commit.

I haven’t blogged for a while. As those of you who have been following my blog might know, I have spent the last several months rewriting my story. Not the one that will be published, but the story that I want to live.

autumn light2I had a flurry of blogs during that time. Epiphany followed epiphany; it was easy to write. But epiphanies fall all over themselves during a time of change. Eventually, things calm down. Change happens, and daily life becomes more – well daily. That means that the change has taken effect – and it’s time to integrate it.

For me, that means start living the new story.

I heard the phrase “mystic chords of memory,” as “mystic cords of memory.” Thought that it meant the things that hold you to your past – as if they were tentacles. But chords are much different. They do not hold you to your past so much as give it texture. path autumn light

When I hear Crosby, Stills, and Nash I am transported to the place in myself that felt the music when I first heard it close to forty years ago.

When I hear Mahler’s second (I’m listening to it now), I just get transported to a timeless experience of being human, of being resurrected after a period of loss and grief.

Resurrection is a difficult time for me. To rewrite my story, I had to experience a lot of grief. Grief over loss of what I hoped would be; grief over the death of parents and friends; grief over losing family members who were not willing to be with me in my new story, even though the old one was destructive for me. We want to think that family wants the best for us, but sometimes what family wants is for things to stay the same, for everyone to keep their place, regardless of the damage it may cause the spirit.

chairSuch can be the price of change – learning that those you love, might not have a heart large enough to include you.

As painful as grief is, what is equally hard for me is being willing to step back into my life knowing that I will no doubt experience grief again. Knowing that loss is a part of life and that I have to be willing to grab hold as if life will last forever, and then let go when life shows me that its definition of forever is more subtle than mine.

And so, yesterday, when I realized that I was not going to come close to meeting the goals of nanowrimo, I had to look at what I was doing with my new story. Writing it isn’t enough. I have to live it now.

I said I was a miserable failure at nanowrimo. I actually think I’m a cheerful failure at it. I probably won’t reach the 50,000 word goal this month. But, I am using nanowrimo to focus. Focus on getting the first draft of my novel done.

And that is how I am living my new story. I’m committing to committing. I’m committing to letting go of the mystic cords of memory that tethered me to my past, and instead paying attention to the mystic chords of memory – knowing that they provide texture to my life, and that by letting go, the better angels of my nature will touch those chords – and from them will arise a chorus as life-affirming as that in Mahler’s resurrection symphony.

Note: The reference to mystic chords of memory comes from the last paragraph of Lincoln’s second inaugural address: “I am loath to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will, by the better angels of our nature.”

Rush Limbaugh, Glenn Beck, and Sarah Palin – pay attention.

And for you who are up to the task – Go nanowrimoers, go!

Mature Women Wanted

Mature Women Wanted
Link posted on Craigslist, Gigs:Talent

So I’ve been wondering how to market myself and there it was on Craigslist: Mature Women Wanted.

Could it be more clear?

There’s a new book out titled Too Big to Fail that documents the bailouts last year that brought our economy back from the precipice. I believe the bailouts did indeed bring us back from the precipice.

But . . .

We, in the form of the powers that be (not even sure who they are at this point), didn’t learn the lesson. Or at least didn’t ask the right question: How did we get to the precipice in what seemed like overnight?

Bailing out a drunk, drug addict, or gambling addict, because they are too big to fail just sets them loose to get drunk, use drugs, or gamble another day and they always end up at the precipice once again – and expect someone else to rescue them.

Oh, and along the way they gobble up the money, so when it comes time to pay for necessities (oh, like health care, food, shelter, education), there isn’t any left.

We need a new economic system. That was Michael Moore’s point in Capitalism, a Love Story.

The fall of the Berlin Wall signaled the failures of communism. Twenty years later, the fall of Wall Street signaled the failures of capitalism.

We might not need to throw out the baby with the bathwater, but, we definitely need to identify the failures of capitalism. I think its biggest failure has been its denial of interdependence.

If you’re too big to fail, than you are dependent on those who are smaller than you to prop you up. Which means you really aren’t that big or productive; you’re just all puffed up. And like George Amberson Minafer, you need to receive your comeuppance in order to mature.

I’ve seen a version of this dysfunction play out with a friend of mine who has been battling the local school district to advocate for her autistic daughter.

The local school district has a one-size-fits-all approach to autism, which seems to be built on the premise that autism is a disease that should be approached much like leprosy was in Biblical times.

The autism class in Livermore comprises thirteen students from the ages of 5 to 9 – kindergarten to third grade. Try putting “normally” functioning children into this situation and you would have problems.

But when you compound that with the different brain wiring of children with autism, you get a train wreck – or to be poetic – a cluster fuck. The special needs of these children, such as sensory needs, are treated as inconvenience for the autism class. If a child’s unique sensory needs are not met, he or she is punished for the resulting behavior.

For you and me, it would be as if someone had locked us in a windowless room for 3 days, turned on a light, cranked up the heaviest metal music they could find, and left the light burning and the music blaring for the entire seventy-two hours –– then accused us of being an animal because we reacted to the lack of sleep and sensory overload.

Frankly, I don’t think any of the students fit the size. But my friend’s daughter definitely doesn’t, and instead of trying to meet her needs, they have labeled her as a wild rabid animal.

I see these two issues – enabling the greediness of the too-big-to-fail – and my local school district’s philosophy about autism – as symptoms of the same thing:

Fear of compassion and failure of imagination.

Compassion means the willingness to bear suffering – to feel what it is to be in the skin of the other who is suffering.

Imagination – well, as John Lennon pointed out, we don’t fly across the country because of the Wright brothers, we fly because for generations humankind imagined what it would be like to fly.

Fierce individualism is an American trait. It has its value. But the truth is we are interdependent. We are born alone and we die alone, but in between we rely on the tribe of humankind and the earth, its inhabitants and the ecosystem to live and thrive.

So we need a new paradigm and with it a new economic system – one that values imagination and compassion and recognizes interdependence.

Mature women definitely needed here.